Convergence-Continuum presents THE RIGHT ROOM by David Hansen
Following a SOLD-OUT run at BorderLight 2025, this most-talked about production returns in October 2026

Visit 
THE VERUM PROJECT at convergence-continuum.org

Photo: Daren Stahl
The Right Room
An immersive and intimate 20th century love story, about who we are and where we feel we belong, in which the audience simultaneously inhabits and experiences the 1930s, 1950s and 1990s. An intra generational tale of love, loss, and commitment.

Convergence-continuum presents THE RIGHT ROOM with three performances
October 29, 30 & 31, 2026

Make your reservation today!
Creative Team
Playwright ... David Hansen
Director ... Jasmine Renee
Intimacy Director ... Julia Fisher
Stage Manager ... Lindy Warren
Costume Design ... Serenity Grace Tate
Scenic Design ... Zelda Thayer-Hansen

"If You Were a Train" performed by  Bradley Wyner

Acting Company (in order of appearance)
Fanny ... Rachel Gold
Mason ... Cole Tarantowski
Aubrey ... Nicole Coury
Steven ... Kyler Rogers
Mathilda ... Lauren Berger
Charles ... Zach Palumbo
Lucille ... Kayce Kvacek
Leif ... Brad Hughes
David Hansen (Playwright) has participated in Cleveland’s theater renaissance as a founder of Guerrilla Theater Company and  artistic director for Dobama’s Night Kitchen and Bad Epitaph Theater Company, as well as an actor and director at theaters across Northeast Ohio. His published plays can be found at Concord Theatricals, Next Stage Press, Pioneer Drama Service, and YouthPLAYS. He holds a MFA in Creative Writing from Cleveland State University. David is Education Programs Manager for Great Lakes Theater and a member of the Dramatists Guild of America. He lives in Cleveland Heights, the city of great writers.

Jasmine Renee (Director) is a multi-disciplinary artist born and raised in Cleveland, Ohio. Renee graduated with a BFA in Dramatic Arts from The New School of Drama. Some of Renee's credits include My Dear Aunt Flow by Kelly Harper (Starcatcher Theatricals), Ava Hearts Riley by Cris Eli Blak (Amplify Theatre Collective), Elaine Calling by Niara Mae (The Language of Us)

Julia Fisher (Intimacy Director) (she/her) is an intimacy director and playwright whose work has been seen in professional theatres throughout Northeast Ohio and beyond. She is a Certified Intimacy Director through Intimacy Directors and Coordinators, where she also served for two years as a Teaching Artist and Curriculum Developer.  Julia has intimacy directed over 50 productions across Ohio - at Dobama Theatre, Rubber City Theatre, Cain Park, Near West Theatre, Ensemble Theatre, convergence-continuum, Ohio Shakespeare Festival, Cleveland Public Theatre’s Test Flight, LatinUs Theater, Broadview Heights Spotlights, BorderLight Fringe Festival, the University of Akron, Baldwin Wallace University, Case Western Reserve University, Lorain County Community College, and Ohio Northern University. www.juliachristinefisher.com

Lindy Warren (Stage Manager) Production management work includes The 39 Steps at Idaho Shakespeare Festival and Ain’t Misbehavin’ at Great Lakes Theater. For eight years now, Lindy has served as director of the youth musical program at Lakewood Congregational Church. She currently works for Playhouse Square, serving as Volunteer Coordinator.

Serenity Grace (Costumes) (they/them) is a Costume technician and designer with a BFA in theatrical costume technology from Kent State University. They have worked as a craftsperson and First hand for Great Lakes Theater since spring 2022 as well as filling various roles for Playhouse Square and touring productions throughout Northeast Ohio.

Bradley Wyner (Music) has worked as a music director at Cain Park (Rent and School of Rock), Blank Canvas (Hedwig, Kiss of the Spiderwoman, One Man Two Guvnors, many others), plus Cleveland Public Theater, Dobama, Kalliope Stage, Cleveland Play House.  Proud of his many years as a teaching artist (Case Western Reserve, Cleveland School of the Arts, and more); students have gone on to careers as teachers, non-profit leaders, journalists, artists, musicians, and actors on stages from Broadway to Cleveland. Bradley also works as the Director of Education at Milestones Autism Resources.

Acting Company
in alphabetical order
Lauren Berger (Mathilda)
Lauren just graduated from Baldwin Wallace this May with her degree in Acting. Recent on-stage credits include: The Comedy of Errors (Duke Solinus/Luce), A Man for All Seasons (Alice More), Good Kids (Deirdre), Legally Blonde (Vivianne), and much more.
Nicole Coury (Aubrey)
Previous credits include The Language Archive (Emma) at Clague Playhouse, I’m Alive … and Always Will Be (Lang) with Nightbloom Theatre Company, Aida (ensemble/fight captain) at Karamu House, Bedroom Culture (Mia) at Cleveland Public Theater, The Right Room (Mathilda) at BorderLight Theatre Festival, and Acts of Clay (various) at Wizbang Theater.
Rachel Gold (Fanny)
Rachel is a Cleveland-based actor, director, fight choreographer, and educator. Acting credits include String of Us and The Body Play (CPT), Grand Concourse (Seat of the Pants), Little Women (Dobama), and multiple roles with Great Lakes Theater and Cleveland Shakespeare Festival (CSF) where she now serves as the Artistic Director. She also serves as the Resident Fight Director for Dobama Theatre.
Bradley Hughes (Leif)
Bradley is an actor and dancer based in Cleveland. He is a recent graduate from Baldwin Wallace University, where he earned his BFA in Acting. Over the last four years he has worked on productions with Cleveland Shakespeare Festival, Borderlight Festival, Oberlin-Wellington Rescue Theatre Project, and Baldwin Wallace. Some of his favorite credits include Measure for Measure, As You Like It, Gross Indecency, Three Sisters, The Right Room and King Lear.
Kayce Kvacek (Lucille)
Kayce is a Cleveland based actress and playwright. She received her BFA from Boston University and has trained at The Academy for the Performing Arts and LAMDA (London). Some of her favorite roles have included Viola in Twelfth Night, May in Fool for Love and Camille in Horse Girls. Her first one act play, Ships in the Night, was accepted to the Boston Playwrights 24 Hour Play Marathon and has since been published & performed across the country.
Zach Palumbo (Charles)
Favorite credits include Broadway Bound (Eugene) at Beck Center for the Arts, Twelfth Night (Feste) and The Wizard of Oz (Professor Marvel/Wizard of Oz) with the Ohio Shakespeare Festival, Little Shop of Horrors (Seymour Krelborn) and the Cleveland premiere of The SpongeBob Musical (SpongeBob SquarePants) at Blank Canvas Theatre, and the world premieres of David Hansen's Savory Taṇhā and Jonathon Morgan's Experts in a Dying Field with Cleveland Public Theatre. He has also performed with Karamu House, none too fragile, convergence-continuum, Rubber City Theatre, Lakeland Civic Theatre, Near West Theatre, French Creek Theatre, and Western Reserve Playhouse, as well as music directing for Clague Playhouse and the CWRU Department of Theatre. His rock opera Future Perfect, co-written with David L. Munnell, premiered at last summer's BorderLight Festival.
Kyler Rogers (Steven)
After graduating with his BFA in Acting from Ohio University, Kyler is thrilled to make his debut at Convergence-Continuum, and wants to thank you for supporting live theatre! Credits include: Inherit the Wind (u/s Davenport) Tantrum Theater; Macbeth (Macbeth) Cleveland Shakespeare Festival/CSF, Richard III (Ratcliffe/First Murderer) CSF. Ohio University: Romeo and Juliet (Benvolio), A Midsummer Night’s Dream (Demetrius), The Trojan Women (Poseidon), True West (Lee), Angel’s Trumpet (Quinn). 
Cole Tarantowski (Mason)
Cole's acting work in Cleveland includes A Midsummer Night’s Dream with Cleveland Shakespeare Festival, Acts of Clay: Out Of the Kiln at Wizbang Theater, and Karfuffle in Parmadoro also at WizBang Theater. Cole also has begun his journey as a playwright, with his first ten minute play recently having been produced at Wizbang Theater.